Biz Miss

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Shop Local, Bay Area November 23, 2009

Whenever money is tight, the same dilemma comes up: shop at a discounted big box to save money, or shop from small businesses to stimulate the local economy?  Most people would rather do the latter, but we simply don’t have the cash this year.  Luckily, there is a solution.  Ever the creative problem-solvers, many Bay Area businesses are participating in programs that give serious discounts (usually 15% and up) to local shoppers.

If you live in San Francisco, you can take advantage of Only In San Francisco’s ShopSF program.  Just show your driver’s license or other ZIP code-bearing ID and you’ll get great deals at their participating merchants.  Some of my favorite stores are on that list, like Urban Fauna Studio and Candystore Collective. Want to add your business?  Sign up here.

If you live in the East Bay, wear plaid this Friday to show your support for local businesses on Plaid Friday.  Their participating businesses include a lot of artists, including Ezme Designs, which makes beautiful ceramics, and TWO art subscription services–The Present Group and Art in a Box.  If you are an East Bay business, there is still time to participate.  Visit this page for details.

 

Alternative Press Expo October 22, 2009

This weekend the Alternative Press Expo came to town.  It’s a nice little convention that brings together the independent publishing community, put on by the same folks who bring you ComicCon.  Most of the tables were taken up by comic artists and writers, but a fair number of zine publishers, crafters, illustrators and small shops also represented.

Soon after arriving, I swung by the Neon Monster table, where I got to meet the lovely and talented Marian Churchland.  Among other things she has drawn for Richard Starkings’ Elephantmen series.

I had met Starkings and Justin “Moritat” Norman (the main Elephantmen artist) the day before at Neon Monster’s Second anniversary party.  Happy Birthday, Mitch!  Mr. Starkings gave me a few autographed issues of Elephantmen to peruse and I have to say, it’s not a bad rag.  Mr. Moritat also drew me a sketch of Jean Grey as Phoenix, perhaps my favorite comic book character ever.  Thank you guys!

Though I usually go as a fan, this year I went to A.P.E. mostly for business–I spent my time scouting the tables for characters that might make good plush toys.  Unfortunately there weren’t too many in the simple and cute category this time around, unless you count the yetis.  EVERYone’s got a yeti now.  Yetis are the new diamonds.   Still, there was plenty to love and even more to buy.  Even I couldn’t resist.  I got two of Brandon Bird’s Law & Order valentines for my sis (SVU is her favorite show). Brandon Bird is famous among my friends for his painting “No One Wants to Play Sega With Harrison Ford.

The best thing I got, though, was this set of monster hugs cards from Goblin-Fish Press.  There were five in the pack but these two are my favorites.

hugs

Hilarious!  If you’re sad you missed A.P.E., don’t worry.  There are two similarly awesome events happening next month.  For you east coasters, visit the Editions & Artists Books Fair in NYC beginning Nov. 5th.  While you’re there, say hi to the good folks at The Present Group.  For you west coasters, come hang out with me at DesignerCon in Pasadena on Nov. 21st!

 

Art Critic Gig October 21, 2009

Anyone looking to make a little money or exchange critical writing for art?  The Present Group is looking for a critic.

 

Diamonds are the New Skulls July 4, 2009

Filed under: sketchbook — bizmiss @ 8:56 pm
Tags: , ,

This is according to my good friend Eleanor, who had a milestone birthday on Tuesday.  Since it was a special occasion and she is a special person, I decided to try my hand at making a pop-up card.  It was harder than I thought.  For one thing, it is difficult to make tiny background pieces bend the opposite way as tiny letter pieces.  Also, the place each piece bends is different depending on where the card itself is folded AND where the cut pieces are still attached to said card.  I tried to center everything to make up for that somewhat, and I made the letters taller than normal so they would look right when bent.  All in all, it was a good learning experience, and aside from the interior cuts in the diamond that needed a little tape, it was a decent result.  Happy Birthday Eleanor.

pop-up birthday card

 

Finally, Some Validation June 22, 2009

I was delighted to read this article/interview by Jenny Hart about how important it is to keep accurate, current books.  She’s a super-savvy Biz Miss with a veritable empire of embroidery products.  Her emphasis on bookkeeping makes me feel a little more validated and a little less geeky for having taken all those Quickbooks classes.

Also, somebody (Gary Taxali) finally gave a huge company (Google) the finger (literally) for soliciting original creative work in exchange for “exposure.”  It has always floored me how ready companies are to try to take advantage of creative professionals, especially those companies who can afford to pay them fairly.  I have personally been asked for free products or services in exchange for “exposure” on many occasions and I don’t understand why I’m not supposed to be insulted by this.  I mean, you wouldn’t suggest that a lawyer work for you for free because you’re providing them with “exposure” to the dozens of “potential future clients” watching them work in the courtroom, would you? (NY Times via The Present Group)

 

Making Your Extra Income Work for Your Business February 21, 2008

Unless you have truly hit upon “the next big thing” and your business takes off without any effort from you, you will likely need an extra source of income while you get started. Up until this fall I was a full-time teacher, so it would have been fairly easy to keep teaching part-time while starting my business. But teaching requires a lot of take-home work, and uses up a lot of mental energy even when you’re not on the job. It’s also not the kind of work that I could ultimately apply towards Sweet Meats. Mine is primarily a product design business, so I wanted to support myself financially in a way that would also open up new opportunities in my current field.

There are four valuable things I’ve learned in my search for relevant extra income:

  1. The key to moving into a new industry is to start with the areas that bridge your current field and your desired field.
  2. Sometimes you can create a job where one doesn’t already exist.
  3. The value of a job is often measured beyond how much it pays you. A job that pays very little, for example, but provides excellent networking opportunities, relevant lines on your resume, or exposure for your business can be much more valuable in the long-term than one that simply pays the rent.
  4. Be symbiotic with your friends.

stitch loungeTo elaborate: there is a sewing studio in my neighborhood called the Stitch Lounge, where you can take classes and rent time on their equipment. I originally looked at it as a place I might be able to consign some of my homemade creations, but then noticed that they didn’t have anyone teaching a plush or pillow class. So I approached one of the owners with a plush class proposal. It turns out that someone had recently asked her to add a plush offering and with my background as a teacher (including a semester of Home Ec.), I was hired right away.

As a source of income, Stitch is not particularly lucrative. I teach 2-3 classes a month, which only amounts to a couple hundred dollars. The opportunities for networking, however, are worth much more than that. Before I had even taught my first class, for example, the owner who hired me referred me to her friend at PSY/OPS, a local type foundry, to help them develop some of their letter forms into decorative plush objects. Not only does design consulting pay more than than teaching, PSY/OPS is a fantastic client to include in a product design portfolio.

the present groupProduction work for friends is also an excellent stepping stone to design jobs. My friends Oliver and Eleanor, of “The Present Group,” sometimes hire me to do production work with them on particularly complex pieces. Likewise, I have also hired them to help with photographs or production when I get swamped. Though we’re basically just doing each other mutual favors, working together like this allows us to confidently refer each other to other clients and provide examples of the work we’ve done.

One final note about extra income: it takes a while (usually at least a few months) for the networking mill to bring enough referrals your way to make ends meet. It is therefore much easier to quit your full-time gig if you have a bit of a savings cushion or a partner who can help support you for a while. That said, if you put yourself out there and you’re good at what you do, the work will find you, I promise.